There's uplifting news and terrible news with this present end of the week's film industry results. To begin with, the uplifting news – we can at long last discussion about a film other than "Aquaman" at the highest point of the local film industry. Yet, the awful news is that despite the fact that "The Upside" beat the fish man superhuman film, it wasn't by much "Aquaman" still figured out how to take the feature because of an exceptionally significant achievement.

That being stated, Kevin Hart and Bryan Cranston has accomplished something that no other film has possessed the capacity to do since Christmas – beat Jason "My Man!" Momoa in the cinema world. "The Upside," which is Hart and Cranston's vibe great film around an ex-con and a quadriplegic that learn important life exercises and whatever blah, scored the #1 spot at this current end of the week's residential film industry with a three-day aggregate of $19.6 million.

There are couple things of note about this opening for "The Upside." A film that many idea could be discharged late in the fall, as a potential honors contender, was legitimately held until January, as the movies appears. Because of the absence of much new challenge, obviously groups of onlookers were prepared to have something other than what's expected at the multiplex, and Kevin Hart is a commonly recognized name now. These variables helped "The Upside" arrive an "A" CinemaScore, which implies informal exchange ought to be truly solid. STX Entertainment unmistakably knew "The Upside" wasn't an Oscar player and endeavored to make the movie as four-quadrant as could reasonably be expected, urging chief Neil Burger to make it PG-13 versus the first R-rating. Without a doubt, pundits didn't appreciate the film so much as groups of onlookers, however STX has a mid 2019 hit staring its in the face, so it's feasible the studio couldn't think less about the 40% Rotten Tomatoes score.

Along these lines, since we have "The Upside" off the beaten path, how about we get to the real issue this end of the week (and the most recent 4 ends of the week) – "Aquaman." Yet once more, the film that just won't stop keeps on racking up incredible aggregates on its way to a great film industry complete. This weekend, the superhuman epic scored another $17.3 million locally, useful for a #2 appearing. Be that as it may, the huge news is that "Aquaman" has turned into the first DCEU film ever to break $1 billion around the world, with an amazing aggregate of $1.02 billion. Also, maybe much increasingly amazing, James Wan's film has passed Christopher Nolan's "The Dark Knight" ($1.005 billion) for the #2 spot in general for DC films around the world. Next on its approach to turning into the greatest DC superhuman film ever is Nolan's "The Dark Knight Rises," which earned $1.085 billion around the world. We can completely expect "Aquaman" to achieve that achievement in the coming weeks.

Once more, while the film has earned an unfathomable $288 million locally, "Aquaman" is maybe significantly progressively amazing in China, where its earned another $288 million. With respect to the record-breaking rank in China, "Aquaman" has sufficiently earned to wind up the fourth most elevated netting remote film in the Middle Kingdom, behind "Vindicators: Infinity War" and the last two 'Quick and Furious' movies. As much as we may ridicule the fish man motion picture, there's no denying that it has turned into a worldwide wonder and overshadowed even the most noteworthy desires that Warner Bros. had for the film.

However, as we move forward into 2019 and the future of the DCEU films, we should caution against considering “Aquaman” the new standard-bearer for the DC superhero franchise. There’s little-to-no chance that “Shazam!” will have the same sort of impact in April, as that film faces steep competition (“Hellboy” and “Avengers: Endgame”) and doesn’t have the buzz that “Aquaman” had coming into its release. That being said, it’ll be interesting to note any extra goodwill that “Shazam!” earns thanks to the success of “Aquaman.”

Outside of the debut of “The Upside” and the dominance of “Aquaman,” this weekend did have some other box office stories of note. First, the debut of “A Dog’s Way Home” did decidedly decent, with an $11.3 million opening. With the massive ad-spending that went into the $18 million-budgeted family feature, Sony was probably hoping for something more in the high-teens. The CinemaScore of “A-” doesn’t spell doom, but also doesn’t lead anyone to believe that “A Dog’s Way Home” is going to have incredible word-of-mouth either.

Keanu Reeves also had a new film in theaters this weekend, with his sci-fi drama “Replicas” surprisingly landing in over 2,300 locations. But with terrible reviews, a total lack of buzz, and little-to-no advertising, “Replicas” became the worst debut ever for Reeves, only earning $2.5 million and falling out of the top 10.

As for the limited release fare, this weekend saw the number of theaters increase for some of the Golden Globe winners like “Bohemian Rhapsody” and “The Wife.” For the Freddy Mercury biopic, the increase of 254 additional theaters led to a $3.2 million weekend, on its way to knocking on the door of $200 million domestically. “The Wife,” which earned Glenn Close a surprise Golden Globe for Best Actress, expanded to a total of 156 theaters, for a Per-Theater-Average of $752. Yep, not even a surprise win and emotional speech were enough to really get audiences to go see the film.

Next weekend will finally give us something other than “Aquaman” to talk about, with the debut of “Glass.” With analysts predicting anywhere from $55 million to $70 million, M. Night Shyamalan is about to have a massive hit on his hands. The only question now is how high the lo-fi superhero film will go. We shall find out next week.

Here’s the entire top 10 for January 11 to January 13:
1. The Upside – $19.6M (Debut)
2. Aquaman – $17.3M ($288M Overall)
3. A Dog’s Way Home – $11.3M (Debut)
4. Spider-Man: Into the Spider-Verse – $9M ($148M)
5. Escape Room – $8.9M ($32.4M)
6. Mary Poppins Returns – $7.2M ($151M)
7. Bumblebee – $6.8M ($108M)
8. On the Basis of Sex – $6.2M ($10.6M)
9. The Mule – $5.5M ($90.5M)
10. Vice – $3.3M ($36M)